
The godfather of (political) hip-hop (1949-2011).
We spoke very briefly near the merch table at the Wye Oak show at the Black Cat, and I thought we really hit it off. I was the big, bald guy with glasses. I mentioned how much I liked the tattoo on your arm. I wanted to get your number or see if you were doing anything after the show, but you seemed so busy, and I just couldn’t muster up the courage. How about we get drinks sometime soon?
When: Friday, March 11
Where: Black Cat, Washington, D.C.
Me: Man
You: Jenn, lead singer of Wye Oak
"I think you're hot for a black lady, which clearly makes me the least racist person in the world."
[Ed. note: based on the side-eye Serena is giving him, Trump clearly said something waaaay more offensive than that.]
Tetsuo? Is that you?
If Tyler hates the status quo so much, maybe he shouldn't be constantly propping it up in songs and on the Internet. And I don't mean to say that art can't be disturbing or even obscene. But what message does Tyler's lyrics on Bastard and now Goblin send to hip-hop artists like MC Lyte, Jean Grae, Empress Stahhr, etc? I hope OFWGKTA grow out of that teenage American male mindset (kinda like the Beastie Boys did) and end up using their talents for good."Odd Future's defenders in the media emphasise Tyler's technical skills – and it's true that his gift for assonance and internal rhymes is impressive. But his talent is only half the story: the shtick they use it for is played out. And it undermines the rest of his aesthetic: he demands our empathy at every turn for his own tough life, but is too limited an artist to show empathy for people who, with all due respect, suffer much more on a daily basis than growing up in a single-parent household. Tyler's model of male anger ends up feeling a lot more like male privilege – and as conservative and regressive as that implies."
--Alex Macpherson, Guardian UK